Posted on April 29th,by essay It is known that the theme of war is widely discussed in literature. Many poets and writers choose this theme because they want all people to learn more about war and its negative consequences. The poem The Death of a Soldier is included in the book of poetry Harmonium. Wallace Stevens is a modernist poet who uses imagination in his poetry.
His work, he said,suggests the possibility of a supreme fiction, recognized as a fiction, in which men could propose to themselves a fulfillment. In the creation of any such fiction, poetry would have a vital significance. There are many poems relating to the interactions between reality and the imagination, which are to be regarded as marginal to this central theme.
From his earliest work in Trend and Poetry to the last few poems before his death, Stevens explored the relationships between the mind and the world, sometimes setting the greater value on the imagination, verging on Romanticism, and sometimes on the actual.
His final position is an attempt to balance or reconcile the two.
In their energetic mental gymnastics, the poems of Harmonium astound by their virtuosity and their intellectual energy. The Harmonium poems return to several central propositions, including the failure of religion to satisfy the mind in the modern world, the split between human consciousness and unconscious nature, and the need for imagination to somehow replace the failed gods.
The problematic role of the imagination is expounded in the various poems. Harmonium is dominated by images of the tropical and exotic, and its techniques include Poundian Imagism and orientalism.
The opening poem abandons the southern paradise of Harmonium for a tougher northern landscape. The negative, or at least critical, reviews of Ideas of Order caused him to engage even more directly with the realities of the Depression which his critics accused him of neglecting.
He develops also his theories of heroism and the heroic, a preoccupation perhaps originally linked to questions of World War I but which remains a major issue throughout the collections of his middle period.
After these collections come his most sustained discursive poems on the relationship between mind and world. His later poems describe an energetic search for a world both imagined and real, and they reflect reading of philosophy as well as poetry and poetics: His description of the grasp for experiential truth parallels the phenomenological theories of Edmund Husserl, Martin Heidegger, and other philosophers.
The poems illustrate the irony of creative perception: To perceive anything is to impose an order on it and so limit it. These limitations must then be recognized as falsifications and swept away so that reality may be reinvented afresh.
His poetry is concerned with the way the mind engages with reality to perceive and thus represent it. It is an elegy for the lost metaphysic, and it exalts and ennobles the search for a replacement.
As he developed his rhetorical, meditative style, he drifted toward a form of three-line stanzas of flexible blank verse. This form allowed him to develop theory discursively and illustrate it at once. Part of the poem was published inbut the whole was not printed until Harmonium came out.
The argument of the poem is just that: The focus alternates from what is happening in her mind—her objections and preoccupations—and his answers to her. The woman should accept her own divinity as part and reflection of nature.
With a fully human god, heaven and earth would merge. The woman thinks about this before asking, more or less, how this system can explain away death.
He responds that life is more eternal than anything promises of immortality could provide: There is not any haunt of prophecy. The speaker imagines a static Paradise and the boredom that it would bring. He then considers a possible symbol for the new perspective that life in the world would bring; it would not be a religion exactly but a religion substitute.
A sun-worship image presents itself, the sun being the symbol of the real, of natural force. The people would dance naked to the sun, an image of energetic life-expending and celebrating.
Deer walk upon our mountains, and the quailWhistle about us their spontaneous cries;Sweet berries ripen in the wilderness. Human beings are like the pigeons of the closing lines, whose lives are indecipherable but beautiful in their vulnerability: The woman has progressed from an exaggerated seizing of experience to submission to it, and the change shows a growth in understanding.
Stevens returns to the theme of this poem again and again throughout his poetic career. Poem Placing an object in the midst of a landscape rearranges the landscape. The entire section is 4, words. Unlock This Study Guide Now Start your hour free trial to unlock this page Wallace Stevens study guide and get instant access to the following:‘The Death of a Soldier’ by Wallace Stevens Life contracts and death is expected, As in a season of autumn.
The soldier falls. He does not become a three-days’ personage, Imposing his separation, Calling for pomp. Imposing his separation, Calling for pomp.
Wallace Stevens' "The Death of a Soldier" honors the common, unremarkable death of an ordinary soldier.
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Wallace Stevens in Critiques. An Overview of Four Essays Written on Poetry and Thought of Wallace Stevens - Amir Hossein Yasini Visti - Term Paper - English Language and Literature Studies - Literature - Publish your bachelor's or master's thesis, dissertation, term paper or essay. The view of war in the poems of Wallace Stevens “The Death of a Soldier” and William Faulkner’s “Two Soldiers” paints the unglorified struggles and agonies that comes with war even in modern times.
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